Number of found documents: 41
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Emigration to America and Cultural Memory (Based on an Example of Moravian Singing Tradition)
Uhlíková, Lucie; Pavlicová, M.
2014 - Czech
Keywords: Migration; Slovak folklore; Moravian folklore; folk song; propaganda; emigration to America (USA) Fulltext is available at external website.
Emigration to America and Cultural Memory (Based on an Example of Moravian Singing Tradition)

Uhlíková, Lucie; Pavlicová, M.
Etnologický ústav, 2014

From folklore to world music : What should be in encyclopaedias
Uhlíková, Lucie; Přibylová, I.
2013 - Czech
Keywords: music; Moravian folk songs; music tradition in general Fulltext is available at external website.
From folklore to world music : What should be in encyclopaedias

Uhlíková, Lucie; Přibylová, I.
Etnologický ústav, 2013

Annual report on the activities 2012 - Institute of Ethnology ASCR, v. v. i
Uherek, Zdeněk
2013 - Czech
Keywords: annual report; Institute of Ethnology ASCR Fulltext is available at external website.
Annual report on the activities 2012 - Institute of Ethnology ASCR, v. v. i

Uherek, Zdeněk
Etnologický ústav, 2013

Folklore as Part of Intangible Cultural Heritage : Where to Place It?
Uhlíková, Lucie; Pavlicová, M.
2013 - Czech
The study is devoted to folklore within the contemporary society. It deals with the meaning of the term, as well as with the development of the interest in folklore in the Czech lands and the relation of the professional and amateur public to this category of intangible cultural heritage. Studie je věnována folkloru v současné společnosti. Zabývá se významem termínu i vývojem zájmu o folklor v českých zemích a vztahu k odborné i laické veřejnosti k této kategorii nehmotného kulturního dědictví. Keywords: Folklore; intangible cultural heritage; folklorism; ethno-cultural traditions; UNESCO Fulltext is available at external website.
Folklore as Part of Intangible Cultural Heritage : Where to Place It?

The study is devoted to folklore within the contemporary society. It deals with the meaning of the term, as well as with the development of the interest in folklore in the Czech lands and the relation ...

Uhlíková, Lucie; Pavlicová, M.
Etnologický ústav, 2013

From folklore to world music : What should be in encyclopaedias
Uhlíková, Lucie; Přibylová, I.
2013 - Czech
Keywords: music; Moravian folk songs; music tradition in general Fulltext is available at external website.
From folklore to world music : What should be in encyclopaedias

Uhlíková, Lucie; Přibylová, I.
Etnologický ústav, 2013

From a Living Tradition to the Theory: Comments on the Origin of the Term ‘Zahušťování’ in Janáček’s Terminology
Procházková, Jarmila
2013 - Czech
The contribution of Czech composer Leoš Janáček (1854–1928) to music theory has been appreciated especially in the field of harmony. Within the context of music theory, Janáček's ideas on the 'thickness' of harmonic material first appeared in his study O skladbě souzvukův a jejich spojův (On the Construction of Chords and their Connections) in 1896. The term became fully developed and frequently used in his Úplná nauka o harmonii (The Complete Harmony Theory) in 1920. The origin and the use of the term by Janáček can be documented in connection with his experience with and discoveries from traditional folk music. Příspěvek českého skladatele Leoše Janáčka (1854-1928) se v hudební teorii oceňuje zejména v oblasti harmonie. V rámci hudební teorie, Janáčkovy myšlenky o "tloušťce" harmonického materiálu, se poprvé objevily v jeho studii O skladbě souzvuků a jejich spojů (na stavbě akordů a jejich spojů) v roce 1896. Termín se stal plně vyvinutým a často používaným v jeho Úplné nauce o harmonii (Kompletní teorie harmonie) v roce 1920. Původ a použití Janáčkova termínu je dokumentován v souvislosti s jeho zkušenostmi a objevy z tradiční lidové hudby. Keywords: Janáček ‘zahušťování’; music terminology; music theory; harmony; folk music Fulltext is available at external website.
From a Living Tradition to the Theory: Comments on the Origin of the Term ‘Zahušťování’ in Janáček’s Terminology

The contribution of Czech composer Leoš Janáček (1854–1928) to music theory has been appreciated especially in the field of harmony. Within the context of music theory, Janáček's ideas on the ...

Procházková, Jarmila
Etnologický ústav, 2013

From Variability to Creativity: on the emergence of new folk songs in Moravia and Silesia in the second half of the 20th century
Toncrová, Marta
2013 - Czech
The autor comments on the proces of the creation of new folk songs: in specialised literature, such a process is called the utmost form of variation changes. Field research documents several types of variations, such as from random changes to regular changes, changes in the completion of song parts (such as new stanzas), the creation of lyrics or composing the melody, up to creating a completely new song. Autorka objasňuje proces vytváření nových lidových písní. V odborné literatuře je tento proces označen jako nevyšší forma variačního obměňování, od nahodilých změn přes dotváření částí písní například složením nových slok, vytvoření nového textu nebo nápěvu až ke složení kompletní nové písně. Keywords: Musical folklore; Josef Severin; Fanoš Mikulecký; new creativity; new folk song; Moravia; Rozálie Horáková-Uhrová Fulltext is available at external website.
From Variability to Creativity: on the emergence of new folk songs in Moravia and Silesia in the second half of the 20th century

The autor comments on the proces of the creation of new folk songs: in specialised literature, such a process is called the utmost form of variation changes. Field research documents several types of ...

Toncrová, Marta
Etnologický ústav, 2013

Barriers and limits of research in ethnomusicology as evidenced in the recordings of the Working Committee for Czech National Folksong in Moravia and Silesia in 19019-1912
Procházková, Jarmila
2012 - Czech
This contribution analyses particular situations occurring in the course of the phonographic recording by the Working Committee for Czech National Folksong in Moravia and Silesia headed by Leoš Janáček in cooperation with Hynek Bím and Františka Kyselková in the years 1909–1912. The purpose of the reflections is to give particular examples of limitations of the ethno-musicological research represented by various external and internal causes, and generalise barrier models characteristic for ethno-musicological research in the past. Příspěvek se zamýšlí nad situacemi vzniklými během nahrávání na fonograf, které realizoval Pracovní výbor pro českou národní píseň na Moravě a ve Slezsku pod vedením Leoše Janáčka v letech 1909–1912, za aktivní účasti sběratelů Hynka Bíma a Františky Kyselkové. Cílem těchto úvah je uvést konkrétní příklady, kdy byl etnomuzikologický výzkum limitován různými vnějšími i vnitřními příčinami, a abstrahovat obecné modely bariér, které byly v minulosti charakteristické pro etnomuzikologický výzkum. Keywords: field recordings; phonograph; national folksongs; Leoš Janáček Fulltext is available at external website.
Barriers and limits of research in ethnomusicology as evidenced in the recordings of the Working Committee for Czech National Folksong in Moravia and Silesia in 19019-1912

This contribution analyses particular situations occurring in the course of the phonographic recording by the Working Committee for Czech National Folksong in Moravia and Silesia headed by Leoš ...

Procházková, Jarmila
Etnologický ústav, 2012

Genuine song gems: Various editions of Czech folk songs and Austrian censorship
Uhlíková, Lucie
2012 - Czech
The paper provides examples of censorship orders and their transformations, as well as specific details of the censored and uncensored editions of Czech and Moravian folk songs. Příspěvek přináší nejen přehled cenzurních nařízení a jejich proměn, ale také konkrétní příklady toho, jakým způsobem se cenzura dotkla některých edicí českého a moravského písňového folkloru. Keywords: folk song editions; traditional folk music; censorship; František Sušil; František Ladislav Čelakovský; Austrian Monarchy Fulltext is available at external website.
Genuine song gems: Various editions of Czech folk songs and Austrian censorship

The paper provides examples of censorship orders and their transformations, as well as specific details of the censored and uncensored editions of Czech and Moravian folk songs.

Uhlíková, Lucie
Etnologický ústav, 2012

Barriers and Folk Song
Toncrová, Marta
2012 - Czech
There are certain limits and barriers in spontaneus singing, which influence the selection of the repertoire, the way of singing, singing ccasions, and other matters related to singing. Ve spontánním zpěvu existují jisté hranice - bariéry, které ovlivňují výběr písní, způsob zpěvu, zpěvní příležitosti a další okolnosti, jimiž se zpěv lidových písní řídí. Keywords: folk song; barriers; song function; repertoire; interpretation; Moravia; Kysuce Fulltext is available at external website.
Barriers and Folk Song

There are certain limits and barriers in spontaneus singing, which influence the selection of the repertoire, the way of singing, singing ccasions, and other matters related to singing.

Toncrová, Marta
Etnologický ústav, 2012

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