Number of found documents: 504
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Partial Memory Loss: Sacred Folk Songs of the Czech Lands
Uhlíková, Lucie; Toncrová, Marta
2019 - English
The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they were transformed, commenting also on their primary religious function. Keywords: Czech religious/sacred songs; folk songs; religion and folk culture; variational process and sacred songs; totalitarian censorship; folklore and communication memory Fulltext is available at external website.
Partial Memory Loss: Sacred Folk Songs of the Czech Lands

The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they ...

Uhlíková, Lucie; Toncrová, Marta
Etnologický ústav, 2019

Partial Memory Loss: Sacred Folk Songs of the Czech Lands
Uhlíková, Lucie; Toncrová, Marta
2019 - English
The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they were transformed, commenting also on their primary religious function. Keywords: Czech religious/sacred songs; folk songs; religion and folk culture; variational process and sacred songs; totalitarian censorship; folklore and communication memory Fulltext is available at external website.
Partial Memory Loss: Sacred Folk Songs of the Czech Lands

The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they ...

Uhlíková, Lucie; Toncrová, Marta
Etnologický ústav, 2019

Částečná ztráta paměti aneb o lidových duchovních písních českých zemí
Uhlíková, Lucie; Toncrová, Marta
2019 - Czech
Příspěvek je věnován lidových duchovním písním českých zemí, jejich vzniku a vývoji. Ukazuje, jak se duchovní písně dostaly do lidové zpěvní tradice, jak se v ní šířily a jak se zde proměňovaly, a to včetně jejich primární náboženské funkce. The paper deals with religious folk songs of the Czech lands, their origin and development. It illustrates how sacred songs came into the folk singing tradition, how they spread within it and how they were transformed, commenting also on their primary religious function. Keywords: Czech religious/sacred songs; folk songs; religion and folk culture; variational process and sacred songs; totalitarian censorship; folklore and communication memory Fulltext is available at external website.
Částečná ztráta paměti aneb o lidových duchovních písních českých zemí

Příspěvek je věnován lidových duchovním písním českých zemí, jejich vzniku a vývoji. Ukazuje, jak se duchovní písně dostaly do lidové zpěvní tradice, jak se v ní šířily a jak se zde proměňovaly, a to ...

Uhlíková, Lucie; Toncrová, Marta
Etnologický ústav, 2019

Od folkloru k world music: Hudba a spiritualita
Uhlíková, Lucie; Přibylová, I.
2019 - Czech
Sborník z 16. mezinárodního kolokvia zaměřeného na lidovou, folkovou, etnickou a world music. The conference edited proceedings on folk and ethnic music, modern folk music and world music. Keywords: music; spirituality; spiritual music; folklore; music and religion Fulltext is available at external website.
Od folkloru k world music: Hudba a spiritualita

Sborník z 16. mezinárodního kolokvia zaměřeného na lidovou, folkovou, etnickou a world music.


The conference edited proceedings on folk and ethnic music, modern folk music and world music.

Uhlíková, Lucie; Přibylová, I.
Etnologický ústav, 2019

Studenti uměleckoprůmyslové školy v Praze kreslí a měří na Hané. Zaměřovací akce ČAVU z let 1941-1946
Motyčková, Dana; Sedlická, Kateřina
2018 - Czech
Keywords: vernacular architecture; Czech Academy of Sciences and Art (ČAVU); Vladimír Hradil; Miloš Libra; Protectorate of Bohemia and Moravia; region Haná Available at various institutes of the ASCR
Studenti uměleckoprůmyslové školy v Praze kreslí a měří na Hané. Zaměřovací akce ČAVU z let 1941-1946

Motyčková, Dana; Sedlická, Kateřina
Etnologický ústav, 2018

„V krbu se svítí, stará podřimuje, děvčata předou měkký len.“ Jak předkové svítívali
Petráňová, Lydia
2018 - Czech
Studie souborně pojednává přechod do tradičního osvětlení venkovských domů až k počátkům elektrifikace venkova. Study deals with changeover from traditional lighting of country houses to the beginning of electrification of czech countryside. Keywords: traditional folk culture; countryside; interior lighting; lamp; candle; pine torch Available at various institutes of the ASCR
„V krbu se svítí, stará podřimuje, děvčata předou měkký len.“ Jak předkové svítívali

Studie souborně pojednává přechod do tradičního osvětlení venkovských domů až k počátkům elektrifikace venkova....

Petráňová, Lydia
Etnologický ústav, 2018

Od folkloru k world music : o paměti
Uhlíková, Lucie; Přibylová, I.
2018 - Czech
Keywords: music; memory; traditional folk music; music tradition in general Fulltext is available at external website.
Od folkloru k world music : o paměti

Uhlíková, Lucie; Přibylová, I.
Etnologický ústav, 2018

Zvukové záznamy lidové hudby na brněnském pracovišti Etnologického ústavu AV ČR (k metodě etnomuzikologického výzkumu a historii jedné paměťové instituce)
Toncrová, Marta
2018 - Czech
Příspěvek je stručným přehledem o metodách terénního výzkumu, následné analýze získaných dat a o způsobu jejich využití v odborné praxi. Hlavním dokladem této činnosti jsou zvukové nahrávky. Vedle toho je to také paměť, která dovoluje získat další informace, týkající se přípravy výzkumu, procesu práce s informátory a další údaje provázející výzkumnou práci v terénu. The paper focuses short survey of methods of field research, subsequent processing and analysis of the data gained, and the means of using the results in professional practice. The main evidence of this activity is provided by sound recordings. Apart from this body of work, there also is memory, which allows access to further information concerning the preparation of research, the process of working with informants, and diverse consequences that can occur because of research. Keywords: sound documentation; folk music; methods of ethnomusicology; sound archives; the Institute of Ethnology of the Czech Academy of Sciences Fulltext is available at external website.
Zvukové záznamy lidové hudby na brněnském pracovišti Etnologického ústavu AV ČR (k metodě etnomuzikologického výzkumu a historii jedné paměťové instituce)

Příspěvek je stručným přehledem o metodách terénního výzkumu, následné analýze získaných dat a o způsobu jejich využití v odborné praxi. Hlavním dokladem této činnosti jsou zvukové nahrávky. Vedle ...

Toncrová, Marta
Etnologický ústav, 2018

Formal or Informal? Folk Music, Folklore Revival and Music Education
Kratochvíl, Matěj
2018 - English
Traditional folk music in the Czech Republic was usually connected with an informal way of knowledge transfer from generation to generation. Personal contacts with experienced musicians played an important role in transmission of repertoire, style, and skills to younger ones. During the 20th century and especially in its second half, with the development of the revival movement, this system changed. While some of its aspects have remained, the transmission process was strongly influenced by a formalized and institutionalized system of public music education. Music education both in grammar schools and in the network of so called “Basic schools of arts” (Základní umělecké školy), where children learn music as a hobby, has had an impact on the way traditional music is taught today. These changes include the emphasis on different aspects of musicianship, drawing inspiration from other genres of music, and a different way of organizing ensembles including a higher representation of girls in them. In my text, I am presenting findings from my own experience as well as from interviews with musicians from several generations. I am trying to demonstrate how their particular experience with learning and teaching traditional folk music has informed their approach to the way they perform, listen to and think about music. Keywords: traditional music; music education; Czech Republic; improvisation; folk song collections Available at various institutes of the ASCR
Formal or Informal? Folk Music, Folklore Revival and Music Education

Traditional folk music in the Czech Republic was usually connected with an informal way of knowledge transfer from generation to generation. Personal contacts with experienced musicians played an ...

Kratochvíl, Matěj
Etnologický ústav, 2018

Theoretical Concepts in Ethnomusicology and Study of the Folklore Revival Movement: the Case of the Prague Ensemble Gaudeamus
Skořepová, Zita
2018 - English
This chapter discusses two theoretical concepts in ethnomusicology, their applicability to the study of the folklore movement and the potential of these concepts to widen research questions already posed, or to generate new questions. The methodology, based on oral history interviews, focuses on the individual perspective and refl ection of the participants’ activities in the past and present. How might then actors of the folklore movement be characterized as members of a specifi c cultural cohort based on their own narratives and answers to particular questions? The fi rst concept of cultural cohort comes from a book by the American ethnomusicologist Thomas Turino, Music as Social Life [2008]. Turino views different personal features, “habits”, as formative elements of a particular identity. People with similar confi gurations of these traits (thus similar identities) tend to join cultural cohorts and cultural formations. Another theoretical framework is provided by the concepts of superculture, subculture and interculture by Mark Slobin [2000]. On the one hand, the folklore movement offi cially acclaimed sources and inspirations from musical subcultures (urban people singing and dancing rural songs and dances), but, on the other hand, found its place at a supercultural music level. This concept can thus enrich our understanding of the dynamics between the superculture, subculture and interculture in the research of the folklore movement. Drawing on data concerning the Prague-based folklore ensemble Gaudeamus, the present paper outlines some preliminary fi ndings in accordance with these theoretical concepts. Keywords: ethnomusicology; folklore revival movement; Gaudeamus ensemble; Prague; cultural cohorts; musical superculture; musical interculture Available at various institutes of the ASCR
Theoretical Concepts in Ethnomusicology and Study of the Folklore Revival Movement: the Case of the Prague Ensemble Gaudeamus

This chapter discusses two theoretical concepts in ethnomusicology, their applicability to the study of the folklore movement and the potential of these concepts to widen research questions already ...

Skořepová, Zita
Etnologický ústav, 2018

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