We all Know That, Don´t We?: Situating Scholarly Knowledge about the Czech 'Folklore Movement'
Zdrálek, Vít
2018 - anglický The text is a reflexive contemplation of the ‘common sense’ in Czech music folkloristics/ethnology from the point of view of the Czech ethnomusicologist whose personal as well as research experience has, significantly in this context, been formed outside the Czech folklore and folkloristics/ethnology practices and discourses. Partly based on reflexive ethnographic observations of the ongoing research project ‘Weight and Weightlessness of Folklore: The Folklore Movement of the Second Half of the 20th Century in the Czech Lands’ (2017-2019) hosted by the Ethnological Institute, Czech Academy of Sciences, partly based on autoethnographic self-inspections of the author’s experience of the ‘alien affect’ towards the dominant Czech folklore discourse in the Czech-German ‘borderlands’ of the 1980s and the 1990s, and partly discussing the post-1989 folkloristics/ethnology versus anthropology debate and the less pronounced, but no less acute music folkloristics/ethnology versus ethnomusicology debate in the Czech Republic, the text formulates what it hopes to be the key questions for understanding the positionality of Czech music folkloristics/ethnological knowledge and creates an intellectual space for self-reflexive disciplinary discussion which it sees as critical for the future of the Czech music folkloristics/ethnological research. Klíčová slova: Czech music folkloristics; Czech music ethnology; Cpost-communism; positionality of knowledge; self-reflexivity Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. We all Know That, Don´t We?: Situating Scholarly Knowledge about the Czech 'Folklore Movement'

The text is a reflexive contemplation of the ‘common sense’ in Czech music folkloristics/ethnology from the point of view of the Czech ethnomusicologist whose personal as well as research experience ...

Zdrálek, Vít
Etnologický ústav, 2018

Introduction: Why Typology?
Tyllner, Lubomír
2017 - anglický The national identity issue is constantly topical even in times of strong globalization and acculturation tendencies. Music, especially its most fundamental layer - traditional music, also helps to define national identity. Therefore, determining the basic types of Czech folk music is one of the major tasks of ethnomusicological research. Klíčová slova: typology; traditional music; computer analysis; history of musicethnologie; national identity Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Introduction: Why Typology?

The national identity issue is constantly topical even in times of strong globalization and acculturation tendencies. Music, especially its most fundamental layer - traditional music, also helps to ...

Tyllner, Lubomír
Etnologický ústav, 2017

Traditional Rural Festivity in an Urban Space and Dichotomy of Public and Private: The Music and Dance Repertory Process - Introduction
Stavělová, Daniela; Černíčková, K.; Kratochvíl, Matěj
2017 - anglický Klíčová slova: carnival; urbanisation; Prague; music; dance Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Traditional Rural Festivity in an Urban Space and Dichotomy of Public and Private: The Music and Dance Repertory Process - Introduction

Stavělová, Daniela; Černíčková, K.; Kratochvíl, Matěj
Etnologický ústav, 2017

Towards a Typology of Czech Traditional Song and Music
Tyllner, Lubomír
2017 - anglický This article therefore aims at a complex analysis of traditional music and its typology. On the basis of musical analysis, the im is to establish a typology of the Czech traditional folk song and music, to delineate historical, regional and or national features of Czech traditional music and thus help to incorporate it into a broader European musical and cultural context. Klíčová slova: traditional culture; ethnomusicology; typology; traditional music; comparative analysis; traditional song style Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Towards a Typology of Czech Traditional Song and Music

This article therefore aims at a complex analysis of traditional music and its typology. On the basis of musical analysis, the im is to establish a typology of the Czech traditional folk song and ...

Tyllner, Lubomír
Etnologický ústav, 2017

Negotiating the Place for a Dance
Stavělová, Daniela
2017 - anglický The text focuses on the observation of the process during the features of traditional culture are transformed for the purposes of the present urban context. The study explores a rural carnival (called masopust in Czech Republic) in some districts of Prague since the early 1990s into a present festivity involving local people as participants. The process of rethinking carnival and (re)constructing the dance and music repertory is studied from the perspective of urbanisation. The contribution is based on the observation of the dichotomy of public/private space appropriated by the dance. Its goal is to disclose the role of the recent music and dance repertory in the process of local identity building. Klíčová slova: carnival; dance; music; urbanisation; Prague Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Negotiating the Place for a Dance

The text focuses on the observation of the process during the features of traditional culture are transformed for the purposes of the present urban context. The study explores a rural carnival (called ...

Stavělová, Daniela
Etnologický ústav, 2017

To Fit in the Line. Otakar Ostrčil as a Vehicle for Nejedlý’s Vision of the History of Czech Music
Kratochvílová, Markéta
2016 - anglický The relation of Otakar Ostrčil and Zdeněk Nejedlý presents a striking case of a biographer using his subject as a vehicle for his own ideas and for presentation of a particular historiographical conception of the history of modern Czech music. Klíčová slova: Otakar Ostrčil; Zdeněk Nejedlý; Czech music history Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. To Fit in the Line. Otakar Ostrčil as a Vehicle for Nejedlý’s Vision of the History of Czech Music

The relation of Otakar Ostrčil and Zdeněk Nejedlý presents a striking case of a biographer using his subject as a vehicle for his own ideas and for presentation of a particular historiographical ...

Kratochvílová, Markéta
Etnologický ústav, 2016

Losses and Gains: Mozart’s Sacred Works in Bohemian Monastic and parish Music Collections in his Time and in the 19th Century
Freemanová, Michaela
2016 - anglický The article deals with Mozart’s sacred music in the Bohemian monastic and parish music collections in the composer’s lifetime and in the 19th century Klíčová slova: Wolfgang Amadeus Mozart; sacred music; monastic and parish music collections Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Losses and Gains: Mozart’s Sacred Works in Bohemian Monastic and parish Music Collections in his Time and in the 19th Century

The article deals with Mozart’s sacred music in the Bohemian monastic and parish music collections in the composer’s lifetime and in the 19th century

Freemanová, Michaela
Etnologický ústav, 2016

The hidden and lost Treasury: the 18th Century opera Arias in the Collections ofd ther brothers Hospitallers
Freemanová, Michaela
2013 - anglický In the collections of Brothers Hospitallers, surviving in Bohemian and Moravian museums, there are numerous opera arias, most of them with underlaid Latin sacred texts, replacing the original Italian words. The article researches their origins. Klíčová slova: opera; Italy; Brothers Hospitallers Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. The hidden and lost Treasury: the 18th Century opera Arias in the Collections ofd ther brothers Hospitallers

In the collections of Brothers Hospitallers, surviving in Bohemian and Moravian museums, there are numerous opera arias, most of them with underlaid Latin sacred texts, replacing the original Italian ...

Freemanová, Michaela
Etnologický ústav, 2013

Dance, Gender and Meanings. Contemporizing Traditional Dance. Proceedings of the 26th Symposium of the ICTM Study Group on Ethnochoreology 2010. Třešť, Czech Republic
Dunin, E. I.; Stavělová, Daniela; Gremlicová, D.; Vejvoda, Zdeněk
2012 - anglický Klíčová slova: dance; gender; tradition and the present time Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Dance, Gender and Meanings. Contemporizing Traditional Dance. Proceedings of the 26th Symposium of the ICTM Study Group on Ethnochoreology 2010. Třešť, Czech Republic

Dunin, E. I.; Stavělová, Daniela; Gremlicová, D.; Vejvoda, Zdeněk
Etnologický ústav, 2012

Traditional dancing on the stage: seeking authenticity
Stavělová, Daniela
2012 - anglický The study focuses on the thinking and perception about traditional dancing when put on the stage in the Czech Republic. The paper views the cultural backround, as well as the political and social contexts which create specific conditions for existence of traditional dance culture on the stage. There is a discourse of cultural heritage preservation, political uses of folklore and the recreational aim of the folk movement. Klíčová slova: staging traditional dance; preservation; autenticity Plné texty jsou dostupné na jednotlivých ústavech Akademie věd ČR. Traditional dancing on the stage: seeking authenticity

The study focuses on the thinking and perception about traditional dancing when put on the stage in the Czech Republic. The paper views the cultural backround, as well as the political and social ...

Stavělová, Daniela
Etnologický ústav, 2012